What happens when I's blur
and then dim?
The clarity of the world shifts and
moves towards the heart
Inside
a deep longing to be lost
in the absence of lines and sharp details.
I soften and the world disappears
the darkness now a haven for designs
I've never seen.
Wake up! you say
Can't you see?
I's see alright
in the dim light --
a night
to you
not me
Tidal Basin
Germination Detail Part III, by Leslie Shellow
contemplations about what stays in the net
Tuesday, April 12, 2011
"Red Hills and Bones"
"Red Hills and Bones"
Georgia O'Keefe, 1941
TheAlfred Stieglitz Collection, 1949
It's soft here on this desert floor--
the first time I've felt soft
in my life.
Maybe it's the non-doing
because I was undone
and reduced to my elements
I gave a terminal sigh which was
caught in thin, dry air
and breezed downwind
carrying dust particles as my
memory.
I lay here,
just bones,
and I don't have to
do. Anything.
The chase is over.
I don't even remember
resisting.
Was I taken down
quickly?
Or did I die throughout the night,
painting the sand auburn
inch by inch,
the pool of my life spreading beyond
my form?
Georgia O'Keefe, 1941
The
It's soft here on this desert floor--
the first time I've felt soft
in my life.
Maybe it's the non-doing
because I was undone
and reduced to my elements
I gave a terminal sigh which was
caught in thin, dry air
and breezed downwind
carrying dust particles as my
memory.
I lay here,
just bones,
and I don't have to
do. Anything.
The chase is over.
I don't even remember
resisting.
Was I taken down
quickly?
Or did I die throughout the night,
painting the sand auburn
inch by inch,
the pool of my life spreading beyond
my form?
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